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Later, the marimbula , a bass lamellophone related to the African mbira , was added to fill out the sound. Merengue first appears in the Caribbean in the s.
The earliest documented evidence of merengue in the Dominican Republic are newspaper articles complaining about this "lascivious" dance displacement of the earlier tumba.
Early merengue was played on stringed instruments, but the accordion came to the island in the s, introduced by German traders, and quickly became the primary instrument in merengue.
Up until the s, the music was considered immoral. Its more descriptive and colorful name, perico ripiao literally "ripped parrot" in Spanish is said to have been the name of a bordello in Santiago where the music was played.
Moralists tried to ban the music and the provocative dance that accompanied it, but with little success. The city of Navarrete is the exact origin of merengue tipico; [ citation needed ] the musician Nico Lora, a native of the town, introduced it.
After Trujillo's assassination, Dominican society changed rapidly as processes of urbanization and migration accelerated. Merengue tipico changed too.
Through the efforts of artists like El Cieguito de Nagua , and particularly Tatico Henriquez , the music became faster and more technically demanding, while incorporating new instruments.
They replaced marimba with electric bass , and added saxophone and congas. The popularity of merengue overseas in New York during the s caused a shift in the production of the genre in the Dominican Republic.
The lyrics utilized less slang and language specific to Dominican dialects of Spanish to be understood by non-Dominican listeners.
A shift to a faster rhythm for merengue performers also occurred, sparking a debate amongst Dominicans on whether the changes occurring should be considered merengue or another genre.
Many feared too much international influence would change the style for the worse, losing the roots that made merengue popular to begin with.
In the s a new generation of musicians added a bass drum , played with a foot pedal by the guirero, and timbales, played by the tamborero for fills timbales in merengue tipico were believed to have been first incorporated by Ray "Chino" Diaz, a famous Dominican percussionist and tambora player.
Agapito Pascual is credited with creating the new style termed "merengue con mambo" in with his recording, "La Vieja y su Pipa.
This is the dominant style today that has been further explored by artists like Ricardo Gutierrez  El rey joven del acordeon El Prodigio , Geovanny Polanco , Raul Roman son of accordion legend Rafaelito Roman , and Kerubanda.
A new crop of merengue musicians, notably Limi-T 21 , have attempted to create an orchestra merengue and perico ripiao fusion on songs like "Que Lo Bailen".
The bpm of the music has also transformed, originally between and [tempo], but today is sometimes sped up from to tempo. Today merengue tipico actually consists of several different rhythms.
Merengue derecho, or straight-ahead merengue, is the kind of fast-paced, march-like merengue Americans are most used to hearing.
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